Folio or large 4to.The first two volumes in Spanish of the catalogue raisonnà  of lithographs. Paris/Barcelona, Maeght and Ediciones Poligr,S.A., 19. Without plain cardstock slipcases.Ĭloth Binding. Dust jacket of first volume price-clipped slight toning and some minor wear to plastic covers, with the jackets themselves in excellent condition, but for a couple of small chips on Vol. For each volume the original lithographs were printed by Mourlot. Editions limited as follows: Volume I 5000 numbered copies (207) Volume II 5000 copies (this one unnumbered) Volume III 5000 numbered copies (1651) Volume IV 4000 numbered copies (371). A further two volumes were later added to the catalogue raisonné, but those contained only photographic reproductions. In addition, the dust jackets for each volume are made from original lithographs for a total of thirty-six. The first two volumes contain eleven original lithographs each the second two volumes each contain five original lithographs. The first four volumes in the catalogue raisonné detailing the artist's lithographic work from 1930-1972, and the only ones containing original prints. II-IV with original printed wraparound bands and original plastic protective covers. Folios in original cloth with lithographic dust jackets vols. Volume V (1972-1975) and Volume VI (1976-1981), both published in 1992, did not contain any original lithographs.įirst editions, English language issues. The first four volumes (of six) of this lavish catalogue raisonné, complete with all 36 original colour lithographs (including the four dustwrappers), as issued. Cloth top edges of the first two volumes moderately foxed, with some other edges lightly foxed four leaves lacking in both Volume II (pages 49-56) and Volume III (pages 197-204), but all original lithographs are present, so these are presumably production flaws commercial bookplate on an early blank in the first two volumes essentially a near-fine set with the near-fine dustwrappers (all four of which are original colour lithographs). Large quarto, four volumes, 238 pages with 11 original colour lithographs (5 double-page) 254 pages with 11 original colour lithographs (5 double-page) 217 pages with 5 original colour lithographs and 210 pages with 5 original colour lithographs overall, besides these 32 original lithographs, the four volumes contain nearly 900 illustrations (many full-page, many in colour). Our copy is enriched with a handwritten inscription dated and signed by Joan Miró to Armand Blanc accompanied with an original drawing in pencil. Handwritten signature of Joan Miró on the print details page. Bouquet de rêves pour Neila Fernand Mourlot | Paris 1967 | 25.5 x 33 cm | in leaves in a chemise and slipcase Illustrated edition with 18 original insert lithographs in colour by Joan Miró, one of 150 numbered copies on Rives vellum, only print after 25 vellum and 25 non-trade. Notre exemplaire est enrichi d'un envoi autographe daté et signé de Joan Miro à Armand Blanc accompagné d'un dessin original réalisé au crayon de papier. Signature manuscrite de Joan Miro à la justification du tirage. Edition illustrée de 18 lithographies originales hors-texte et en couleurs de Joan Miro, un des 150 exemplaires numérotés sur vélin de Rives, seul tirage après 25 vélin et 25 hors commerce. Fernand Mourlot, Paris 1967, 25,5x33cm, en feuilles sous chemise et étui. Light general wear to slipcase and chemise, otherwise fine. Housed in a spectacular custom box by book artist Sjoerd Hofstra. Fifteen large (17x 11.75 inches) single-folded sheets loose in lithographic self-wrapper, original cloth chemise and slipcase. Complete with eight double-page lithographs and two single-page lithographs serving as the wrappers. Rafel Orozco (who treated Miró's daughter), and art critic Maria Lluisa Borràs. With background text in Catalan, Spanish, French, and English, by Josep Royo, Dr. With stunning bright colors, the lithographs in this collection beautifully recreate the images on the tapestry. Originally conceived of as a gift to the doctor who treated Miró's daughter after she was hit by a train, the project grew to monumental proportions, ultimately expanding to a size of 2.80 x 4.20 meters, and requiring an innovative approach developed by Miró and the young artist Josep Royo for its creation. The Tarragona Tapestry was one of Miró's most ambitious works. EXTREMELY RARE SIGNED LIMITED FIRST EDITION, THE COMPLETE SET OF TEN STUNNING LARGE COLOR LITHOGRAPHS (EIGHT DOUBLE PAGE), PROVIDING A VISUAL NARRATIVE DOCUMENTING THE CREATION OF ONE OF MIRÓ'S MASTERPIECES, THE TARRAGONA TAPESTRY.
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